Austrian, 1733-1808 Austrian painter. He studied at the Vienna Akademie and, in 1755, he went to Rome, where he was based for the rest of his life. From 1756 to 1761 he was first the pupil then the assistant of Anton Raphael Mengs. In 1765 he married Mengs's sister, the miniature painter Theresia Concordia Mengs. After collaborating on Mengs's fresco paintings in Rome (at S Eusebio and the Villa Albani; both in situ), Maron, working independently in Rome, spent some time on altar pictures (S Maria dell'Anima) and on various decorative projects. Mengs's influence is evident in Maron's ceiling pictures in the casino of the Villa Borghese (1784; in situ), where five paintings tell the Story of Aeneas and Dido in the style of quadri riportati, using clear construction, sharply defined drawing and a historical concept based on antiquity. Although he received many commissions for this type of work, Maron's true gifts lay in the field of portraiture. Along with Pompeo Batoni, Maron was the most celebrated portrait painter in 18th-century Rome, and he received an enormous number of commissions from princes, diplomats and church dignitaries and from English aristocrats visiting Rome as part of their Grand Tour. Maron painted such sitters in the same style as did Batoni, usually full-length and life-size, in elegantly fashionable dress, against backgrounds of Classical sculptures and views of Rome. Portraits such as those of Francis, Prince of Anhalt Dessau   Related Paintings of Maron, Anton von :. | Avenue of Chestnut | Single small round table | Ramon Subercaseaux | Interior of the Large Mosque | Houses |
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Auguste Borget
Auguste Borget (1808-1877) was a French artist who is best known for his drawings and prints of exotic places, in particular China. He was born in 1808 in Issoudun, Indre. At age 21, he went to Paris where he became a close friend of Honore de Balzac. Borget periodically exhibited at the Paris Salon from 1836 to 1859. Beginning in 1836, he traveled through North and South America before stopping briefly in Honolulu in May, 1838, on board the ship "Psyche", on a world tour. He went to Canton in September 1838 and stayed in the region for 10 months. While in Canton, he met the English artist George Chinnery, and they went on sketching trips together. In July 1839 he visited Manila, Singapore and Calcutta. In 1840 he traveled widely in India, returning to Paris in the summer of that year. Borgetes sketches and watercolors from China were the basis for his most famous publication "Sketches of China and the Chinese", published in 1842. His book "La Chine ouverte" was illustrated with fine woodcut engravings. A major Salon of his original works, including watercolors and boldly executed oil paintings was held in Paris in 1843. Borget died in 1877.
Francois Desportes
1661-1743 Francois Desportes Locations French painter. He is best known for his hunting scenes and paintings of animals. Desportes, who began as a portrait painter, was among the first to paint landscapes from nature; for that practice he was held to be eccentric. His works are in the tradition of careful realism of Flemish still-life paintings. The Louvre and the Wallace Collection, London, have examples of his work.
Florine Stettheimer
(August 29, 1871 - May 11, 1944) was an American artist. She has been described as "a Deco-influenced early Modernist whos never really gotten her due". Florine was born in Rochester, New York to Joseph Stettheimer and Rosetta Walter. Her father, a banker, left the family before the children were grown. She was the fourth of five children: Walter, Stella, Carrie, Florine, and Ettie. After Walter and Stella married, the youngest three immured with their mother to form an epicurean way of life.She spent much of her early life traveling, studying art in Italy, Spain, France, Germany, and Switzerland. She studied for three years in the mid-1890s at the Art Students League of New York, but came into her own artistically upon her permanent return to New York after the start of World War I. In October 1916, the only one-person exhibition of her work during her lifetime took place at New York's Knoedler & Company. She exhibited 12 "high-keyed, decorative paintings", none of which were sold. Cushioned by family resources, Stettheimer refrained from self-promotion and considered her painting "an entirely private pursuit". She intended to have her works destroyed after her death, a wish defied by her sister Ettie, her executor. Stettheimer's privileged position pervades her work. As one critic has written, "money she regarded as a birthright, decidedly not something to be flaunted in the shape of a dozen yachts, but rather to be used as a palliative against the more unpleasant aspects of the world outside... In this frame of mind, she felt free to depict life as a series of boating parties, picnics, summertime naps, parades and strolls down Fifth Avenue." She created the sets and costumes for the 1934 production of Four Saints in Three Acts, an opera by Virgil Thomson with a libretto by Gertrude Stein. Her designs, which used cellophane in innovative ways, proved to be the project for which she was best known during her lifetime. She assisted her sister Carrie in the creation of the Stettheimer Dollhouse, now in the collection of the Museum of the City of New York. The house is a whimsical depiction of an upper-class residence, filled with works by Stettheimer's artist friends, including William Zorach, Alexander Archipenko, and Gaston Lachaise.